The structure and symbolic passages of mountains and valleys in poetry goes back to antiquity. In part, the poet lives by a code of paying attention.
If you trust in Nature, in what is simple in Nature, in the small Things that hardly anyone sees and that can so suddenly become huge, immeasurable; if you have this love for what is humble and try very simply, as someone who serves, to win the confidence of what seems poor: then everything will become easier for you, more coherent and somehow more reconciling, not in your conscious mind perhaps, which stays behind, astonished, but in your innermost awareness, awakeness, and knowledge.”
—Rainer Maria Rilke
Often, the changing landscape of society has driven the poet to embrace the simplicity of nature, as a stark contrast to the advance of industry and technology. The romantic poets chose to focus on nature in a radical way—communing with its ambience, delighting in its nourishing powers, and branding it sacred. Consider these lines from William Wordsworth’s poem Tinturn Abbey:
Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye and ear, — both what they half-create,
And what perceive; well pleased to recognize
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Try It: Mountains and Valleys in Nature Poetry
Think of the intricacies of mountains and valleys. Ponder what symbolic or spiritual meaning they hold. Consider their place in Nature, as a connection point between you and Nature. Pay close attention to the details—the things that others miss or ignore. What is awakened in you? Write a poem incorporating this theme and share it with us in the comment section below.
Click to get 5-Prompt Mini-Series
Featured Poem
Thanks to everyone who participated in last week’s poetry prompt. Here is a poem from Donna we enjoyed:
All weather
flows toward
my own heart.
—by Donna Falcone
Photo by Lenny K. Creative Commons via Flickr.
Browse more rivers and lakes poems
Browse more writing prompts
Browse poetry teaching resources
How to Write a Poem uses images like the buzz, the switch, the wave—from the Billy Collins poem “Introduction to Poetry”—to guide writers into new ways of writing poems. Excellent teaching tool. Anthology and prompts included.
“How to Write a Poem is a classroom must-have.”
—Callie Feyen, English Teacher, Maryland
- Poetry Prompt: Misunderstood Lion - March 19, 2018
- Animate: Lions & Lambs Poetry Prompt - March 12, 2018
- Poetry Prompt: Behind the Velvet Rope - February 26, 2018
Laurie Flanigan says
Prospects
Most see the potential of the sun-deflecting crests,
but the crevices are flayed by minerals and sprays
that convert the semi-senseless seeds to unexpected emerald.
Donna Falcone says
Oooo unexpected emerald. Love that.
Thank you for sharing your Prospects with us.
Laurie Flanigan says
Thank you, Donna. I’m happy to see your short but potent poem was included in this post. I love its wonderful sound echo of flows and own.
Heather Eure says
Lovely poem, Laurie! I’m so glad you shared it with us. 🙂
Laurie Flanigan says
Thank you, Heather, for your response and for your inspirational words. I especially enjoyed your opening line and the excerpt you selected from Tinturn Abbey.
Laura Brown says
Assent
Top-
most
in my
mind’s
ear now
is how it felt
each first time
I summited. Say,
Freter’s Hill, for which
the way up began where
my street ended. Later, Pinnacle
in Little Rock. Still later, Cadillac in
Maine. And also Mount Nebo, Petit
Jean, mountains whose tops I drove to,
and even Observatory Hill, where the way
to the top is paved and easy. There’s something
about rising above it all, no farther to go, destination
met. An accomplishment, a satisfaction, and if I’m being
honest, a shred of something like disappointment too, or
sorrow. Of course I can recall a view from each of these. But
I mean it about the mind’s ear, because there was a particular
sound that is partly the ambient noise of each place in each time,
especially if the wind was having its way. But there is also a sound
that is silence, a pressing in when the ground has run out, a something
that startles into attention, like a teacher who gets her students to hush
by not raising her volume, but whispering. It is the same sound everywhere,
yet new and peculiar each time. A thing I have missed, a forgotten phenomenon.
The lure and allure of it is every bit as strong as Everest is for some. Silence, I give.
The highest ground in my neighborhood is Summit Street. I’m planning my ascent.
Laura Brown says
The comment box isn’t wide enough for those last few lines.
Donna Falcone says
Laura, I really enjoyed your ascent! The shape of the poem is cool, even though it didn’t all fit just so in the comment box. I really love poems that have shapes, or that use shape.
My favorite line: But there is also a sound
that is silence, a pressing in when the ground has run out, a something
that startles into attention,
I know a startling silence – such a good strand of words.
Sandra Heska King says
I’m saving this one!
Laurie Flanigan says
I love your writing, Laura. There are so many wonderful elements to this poem.
Heather Eure says
Oh, to travel with you Laura and watch as you gather poems in your mind. You are quite the adventurer. Thanks for bringing us along! This is terrific.
Anna Blake Godbout says
The Wedding Ring Quilt
This morning, the first snow of spring
fell like a curtain of lace across the mountains
spilling leftovers of winter
down into the stunted pine brushed valley.
The touch of your smile
held the warmth of weathered hands;
eyes of silver and sage glistened
when I said, “I hope it snows six feet.”
You gathered our wedding ring quilt
around the curve of me tighter,
knowing the soft why of my words.
Heather Eure says
Your poem is a glowing testimony of love, Anna. Happy you’re here to share it.
Anna Blake Godbout says
Thank you both for your comments. I greatly appreciate them!
Donna says
Oh. I’m just melting.
Anna Blake Godbout says
Revelation
The pre-dawn light shifts from grey to vanilla;
threads of early morning weave fog
around the head of Pikes Peak
like a ring of horizontal braids.
Last evening’s snowfall paintbrushes
a stark masterpiece onto the high summits.
I watch a mixed flock head south beyond snow sprinkled red rock
into miles of clear, empty skies.
I stand in the open door and take in that winter blue
stretching beyond the edges of my eyesight
and applaud the stronghold of this place-
uncaptured and silent,
which will never be diminished.
Heather Eure says
My favorite line– “stretching beyond the edges of my eyesight…” I’ll continue to tumble the words around in my mind. Thank you for being here to share it.
Anna Blake Godbout says
You are most welcome. These and other poems can be found in my published collection titled ‘Journey On: Beauty and Grit Along the Way. It is found on Amazon.
Anna Blake Godbout says
A Walk with the Clouds
Let us walk,
along the mountain coast
under clouds light as springtime air.
There are no cares from pouring rains
that soak our way.
Skies of denim blue
nudged by the sea’s wind
remind us to leave behind
heartache and hurdle.
I take your laughter
and weave it with mine
as the sun warms our backs.
Heather Eure says
Love this, Anna. I can feel the salt air on my face.
Laurie Flanigan says
All three of your poems are beautiful, Anna… a treat to read.
Anna Blake Godbout says
Thank you, Laurie. A Walk in the Clouds has been set to a beautiful piece of music.
Rick Maxson says
Prayer
The world is immense
and like a word that is still growing in the silence.
– Rainer Maria Rilke
In the East, behind the mountains,
a tongue of light is moving
like a word in the silent morning.
We watch the prairie flowers take form
in the empty sound,
the colors of intention,
among the bent and swaying grasses.
In brightening wind, the kestrel circles,
we know this to be
what binds the earth and sky.
A fox on a sketch of road barks.
The hawk declares itself.
On a bicycle, a man passes us singing.
Who speaks for all in this motley choir—
Where is the high and guiding drumfire?
From within their ravaged beauty, the cities
seek a prayer for the clusters of silent sorrow.
In the face of a gray frieze, a kestrel flees its nest.
The carillons ring.
A frail cry rises
over the cultured trees and mountain peaks,
curves against the shirt of space,
the waveform of voices
under voices, the audacious and the lost,
the litany and the listening.
Laurie Flanigan says
This is stunning, Rick. I love the way you’ve blended lament and hope filled expectancy and expressed them in “the waveform of voices under voices.”
Heather Eure says
I couldn’t agree more, Laurie. Well put.
Donna says
Oh – so much to love
Katie says
Oh mercy – I want to save all these!
Just outstanding: Donna, Laurie, Laura, Anna, Rick!
When I read poems like these I get rejuvenated and eager to write more:)
Also, it sends me surfing around for hours reading Rilke, Wordsworth, and the like.
Donna says
🙂
Anna Blake Godbout says
Thank you, Donna!
Laurie Flanigan says
Thank you, Katie! I’m happy to have my little poem attached to this impressive collection of writing.
Deb Crawford says
Capped in cookie cream
Nature’s shades of gray
Rocky Mountain high.
Laurie Flanigan says
Nice use of rhythm, assonance, and alliteration. 🙂