Every Day Ideas: Poem Starters
Are you an Every Day Poems reader yet?
In a recent survey, we asked our readers how they furthered their experiences with their daily poems in the past year. For some, reading the poem each day (or every few days!) was enough.
But others revealed a variety of ways to bring the poems to life beyond the inbox. One way: use a line from the poem to start your own poem.
Now, when you share poems that you started from one of your Every Day Poem lines, we’ll save them for possible inclusion in a special Every Day Ideas ebook in 2016. The ebook will also include other Every Day Ideas, such as Poem Pinups (and more ideas to come).
So, if you like…
1. Choose a line from one of the Every Day Poems you received in your inbox
2. Use the line in a new poem of your own
3. Include a credit for the original poem you borrowed the line from
4. Send us a link to where you post your new poem online (anywhere is fine: Facebook, Twitter, Instagram, Pinterest, Google+). Just drop the link in an Every Day Ideas comment box so we can find it.
And, happy poem starting.
Photo by Pascal Maramis, Creative Commons, via Flickr.
_____________
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Subscribe to Every Day Poems now and join in our Every Day Ideas projects. Just $5.99 annually.
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What Our Readers Are Saying About the Casual E-book
This year we published some of your poems in an another anthology called Casual: A Little Book of Jeans Poems and Photos. Here’s what some of our readers are saying about it:
I’m over the moon about being included. This is beautiful. —Sandra Heska King
Wow! The book is beautiful! —Amy Billone
Delighted to have my photo grace your book. —Susan Etole
What a beautiful final product. Grateful to be included. Thank you for investing in us. —Elizabeth Marshall
- Journeys: What We Hold in Common - November 4, 2024
- Poetry Prompt: My Poem is an Oasis - August 26, 2024
- Poetry Prompt: Sink or Swim - July 15, 2024
Richard Maxson says
From today’s EDP — Victims the lines:
“No monster is responsible
For his enormity.”
http://theimaginedjay.com/grendel-in-dawns-early-light/
L. L. Barkat says
I like the way you chose his end line as your beginning line. The end of one thought is often the beginning of another 🙂
Sandra Heska King says
Bluebeard blamed his parents,
not the silver spoon or the man in the moon.
He should have just bought a Schick.
(First line from Victims by Mark Jarman, poem in my box on 2/6/15)
Posted at this thread:
http://www.facebook.com/sandra.h.king.9/posts/10206380062328636?pnref=story
L. L. Barkat says
Ha! 🙂
Donna says
🙂
Donna says
I’m so glad for this post because, although I enjoy my inbox goodies, I had forgotten about how I got started… finding poems of my own …. Geesh. 🙂 So glad to be reminded.
Donna says
Richard, I loved your poem. The title inspired me to write this, and in the process, conquer the Villanelle. 😉 It’s a start, anyway.
The Warrior’s Song http://thebrightersideblog.blogspot.com/2015/02/warriors-song.html
Richard Maxson says
Donna, I commented on your website as well. Wonderful Villanelle and subject. “A painful life is still a life.” Love your play on still life in each stanza.
Donna says
Thank you Richard…. I saw you there. 🙂
I felt a little strange ‘taking’ your words from your piece – it has a sacred solemn reflective feeling and, well, it just felt strange. They were just so striking, though. I couldn’t resist.
Richard Maxson says
Please don’t feel that way. I very much liked what you did with those words.
Donna says
🙂
Sandra Heska King says
For what is fractured is a near-bitten star
soft
sugar dusted
precisely cut
baked golden
still warm
and fallen from my fingers
crumbled on the kitchen floor.
#FirstLinePoemStarters from “Khaleesi Says by Leah Umansky, 02/10/15
Posted here: http://www.facebook.com/sandra.h.king.9/posts/10206414761716099
Richard Maxson says
A new pastry called Khaleesies, no doubt. Sounds very good, a little like sugar cookies fall apart.
Donna says
mmmmm…. really nice, Sandra.
Bethany R. says
Beautiful, Sandra. I can see and feel the fragility.
Lexanne Leonard says
From today’s Everyday Poems – Khaleesi Says by Leah Umansky, 2/12/15
Posted at http://leximagines.com/2015/02/10/inhale/
Richard Maxson says
A sensual poem. I relly like:
“An afterthought
of day’s swiftness tumbles into moist earth
beneath her bare feet.”
Donna says
Beautiful…. love how it ends…
Alyse says
I also took a couple lines from “Khaleesi Says” to write my own. Found on my blog: https://wordsnotmadewithlungs.wordpress.com/2015/02/11/woman-poem/
L. L. Barkat says
Alyse, I tried to comment at your blog, but the comment system wouldn’t allow. Anyhow 🙂
I liked the full circle aspect of the poem and the way you switched the lines at the end.
Alyse says
I am so sorry the comment section didn’t work! But thank you for your comment here; I appreciate it!
Donna says
Hi Alyse… I really liked the way your poem felt like breathing in, and then out – that’s how it made me feel anyway – the first lines breathe in, (that vodka breath line – wow) and the last two breathe out – a satisfied breath? 🙂
Alyse says
Thank you, Donna! It was a satisfied breath for me to finish with those lines for sure. 🙂
Elizabeth W. Marshall says
Alyse, welcome! We like that you are here.
Alyse says
Thank you, Elizabeth!
Richard Maxson says
From EDP, Marvell’s The Fair Singer: “all resistance against her is vain.”
Singer
—for Whitney
All resistance against her is vain;
watching the singer sing her song,
like the sea sliding on the shore.
And pausing, her dark eyes,
with lashes so like wings, tilt
as she looks down from her flight,
the echoes of her song still
in the air, in every ear
and we are taken to the mountaintops.
Then the waves resume their tone,
the flourish joins the blown leaves
in the wind that carried her away.
Donna says
Oh… I really love this:
the flourish joins the blown leaves
in the wind
Richard Maxson says
Thank you, Donna.
Olga Salimova says
The first line of this poem is from Leah Umansky’s poem Khaleesi Says. It starts with “In this story…” https://olgasalimova.wordpress.com/2015/02/12/meaning/
L. L. Barkat says
Oh, I like this. Especially this part:
“In this story,
there isn’t necessarily a motif;
there are things that go around
the edges and are as important
as what’s in the middle.”
Richard Maxson says
I like the way this poem never really settles on any of its propositions and ends still in a question, so true to life as it is—persistently unknowable.
Loved it! Loved it twice!
Elizabeth W. Marshall says
Olga, welcome. I left a fresh loaf of bread for you. Do you see it? It is to say, welcome to the neighborhood.
We are thrilled you are here.
Elizabeth W. Marshall says
We Are Water
We are water, endless;
As the sea
Vapor, liquid
Silver fish break through the water line
A thousand punctuation marks
End the phrasing of our
Love
Every drops turns from placid, still and resting
Into a transfiguration of new birth
I know now
Every cloud,
A gathering up of every drop of us
The rain will soon return us to the place
From which
Our love was born
From Sara Barkat’s
Juliet’s Aubade
Appearing in T.S. Poetry’s Every Day Poems
.
Bethany R. says
What a lovely poem, Elizabeth:
“I know now
Every cloud,
A gathering up of every drop of us
The rain will soon return us to the place
From which
Our love was born”
Alyse says
From Ralph Waldo Emerson’s The Snow-Storm:
https://wordsnotmadewithlungs.wordpress.com/2015/02/22/privacy-of-storm-poem/
Alyse says
From Todd Boss’ Rocket:
https://wordsnotmadewithlungs.wordpress.com/2015/02/22/name-poem/
Sandra Heska King says
Here’s one of 34 words using a line from Eich’s The Inventory.
http://sandraheskaking.com/2015/02/one-word-less-for-lent-2015-34/
Alyse says
Here’s another one, this time taken from Paul Violi’s Counterman:
https://wordsnotmadewithlungs.wordpress.com/2015/02/27/swell-poem/
L. L. Barkat says
I’m especially liking this part:
What a swell world!
I took it all in,
every swell ounce of it,
🙂
Alyse says
Haha, thank you!
Sandra Heska King says
29 words started from “Terce” by Malachi Black
http://sandraheskaking.com/2015/03/one-less-word-for-lent-2015-29/
Donna Z Falcone says
Love that mistiness Sandra – it’s palpable.
Alyse says
[From Terce by Malachi Black]
But then I think I see the wind:
it’s a blanket, faded like
water colors.
I close my eyes and paint
it with my mind,
brush strokes in my hair,
the dance of fairies.
I am planted in its movement,
infused with its breath,
at once canvas, artist, and
muse.
Inseparable.
Also found here: https://wordsnotmadewithlungs.wordpress.com/2015/03/03/wind-poem/
Bethany R. says
Lovely piece, Alyse. I was hooked at:
“it’s a blanket, faded like
water colors.”
Alyse says
Thank you!
Bethany R. says
What a fun idea. I’m reading through batches of Every Day Poems to mine for a line…
Lexanne Leonard says
I used the line “you in themselves, I’ll find you out” from Terce by Malachi Black.
http://leximagines.com/2015/03/04/tip-and-sway/
Alyse says
Here’s one with a line from Robert Frost’s Dust of Snow:
https://wordsnotmadewithlungs.wordpress.com/2015/03/06/the-attic-poem/
L. L. Barkat says
I like the half rhyme of “frames” with “panes.” 🙂
Richard Maxson says
http://theimaginedjay.com/matins/
For this First Line Poem Starter I used:
“If Winter comes, can Spring be far behind?”
I used the first half of this line to begin the poem and the last half to end it.
Matins
If Winter comes, and the colors
of my world have not yet fallen,
I will wear it like the morning snow.
And though it seems the distance,
which is only sky between the cliffs
and trees, is near enough to hold
my breath in its hands, like a child
that for a moment I can touch, I’ll hope
to ask, can Spring be far behind?
Donna Z Falcone says
That was so clever, to split the first line.
Really striking image of the distance being near enough to hold. I really like that.
Alyse says
I came up with a couple line-starter poems today, one from Gary Snyder’s Thin Ice and one from part V of Ode to the West Wind by Percy Bysshe Shelley. Both can be found on my blog:
https://wordsnotmadewithlungs.wordpress.com/2015/03/13/looked-down-through-clouds-poem/
https://wordsnotmadewithlungs.wordpress.com/2015/03/13/sweet-though-in-sadness-poem/
Sandra Heska King says
Just 17 words… but I’ve wanted to use the mango line from Cruz’s “The Problem With Hurricanes.”
http://sandraheskaking.com/2015/03/one-word-less-for-lent-2015-17/
L. L. Barkat says
Just popping in to say we’re reading these and saving them if they seem like possibilities, and we’ll make decisions later in the year.
Keep writing, and we’ll happily keep reading 🙂
Richard Maxson says
http://theimaginedjay.com/louder/
Louder
than ever now,
how clever
the shadow man
leaves my room,
and so weaves
himself from door-
light as mother
says how she
is down the hall,
and not to fear,
while in the crook
between the walls
he looms.
Bethany R. says
Oh, this is haunting–it feels so real. Adding the contrast of the mother’s reassurance brings a sharpness to the experience.
Thanks for sharing your piece with the TweetSpeak community, Richard.
Sandra Heska King says
http://sandraheskaking.com/2015/03/one-word-less-for-lent-2015-15/
15 words started from “On Seeing Weather-Beaten Trees” by Adelaide Crapsey.
Donna Z Falcone says
Fit of feathers… I like that image!
Donna Z Falcone says
Borrowing from Lizette Woodworth Reese’s Windflower:
The wind stooped down and left
A single feather on my shoe
And whispered, as it passed by,
There is nothing stopping you.
Here, with an image:
http://thebrightersideblog.blogspot.com/2015/03/fly.html
Donna Z Falcone says
I forgot to say- the title is “Fly!”
Sandra Heska King says
Oh, I love this. Nothing stopping you.
Bethany R. says
I wrote a piece, but it isn’t formatting the spacing/italics correctly on my blog. If I could email it as a Word Document, that might do the trick? In any case, I’ll paste it here. 🙂
The line, “The wind has lost its will” is found (in a different tense) in William Wilfred Campbell’s, “How One Winter Came in the Lake Region.”
**
Do speak of him
The wind has lost its will
Who will recreate his likeness
for us who remain?
Who will wipe their clammy finger pads
through a gray clay slab
and form those lines that once
moved freely?
How did you make your knock
sound warm, nut-wooden
on my steel door?
At my opening
your smile would ease back into itself–
into the fold-coves of your cheeks
The soft-shore wave swells as it rolls
I will carry you in this bone-smooth shell
I will listen to you echo off
my inner ear
where you ever-form
your own sounds
Sandra Heska King says
warm, nut-wooden on steel, fold-coves of your cheeks…
Sandra Heska King says
Still doing my one-word thing… down to 12 words… starting with a line from “Form and Void” by Barbara Crooker
http://sandraheskaking.com/2015/03/one-word-less-for-lent-2015-12/
Donna says
Mmmmm glimmerly and delicious!
Alyse says
Here I used a line from Tiny Blast:
https://wordsnotmadewithlungs.wordpress.com/2015/03/24/this-bingo-shouter-poem/
L. L. Barkat says
Cool images. Love the strangeness of the scene 🙂
Bethany R. says
The realistic and unique details are drawn together to say something beautiful that resonates with me. Thank you for writing and sharing this.
Elizabeth Marshall says
http://www.elizabethwmarshall.com/2015/03/25/Be-Brave
From Peter Gizzi’s poem “Tiny Blast”
Donna says
The link,
I think,
Is on the blink. 😉
Elizabeth W. Marshall says
Somehow I missed all the wondrous poetry tucked into this thread.
Can’t wait to catch up.
Such goodness here.
Donna says
Elizabeth, might you have another link to your poem? I’m getting a whoops message with the one above. Pretty please …. 😉
Elizabeth Marshall says
http://www.elizabethwmarshall/2015/03/24/be-brave
Thx Donna for reading and for catching my error.
Elizabeth Marshall says
And again 🙁
http://www.elizabethwmarshall.com/2015/03/24/be-brave
L. L. Barkat says
Elizabeth, I could see the poem going untitled and simply being like this:
“And now that you are here,
says Gizzi, “be brave.”
Have you seen
the size of a radish seed?
Promise is buried
in our own backyard.
Elizabeth Marshall says
L.L. I am rather fond of your input on editing this. You whittle down well. 🙂 thanks, you :).
Sandra Heska King says
It’s an 8-word day… so a line starter AND ender from “The Blue” by Joseph Hutchison. Pretty sure it doesn’t count. 🙂
“And all at once
I noticed the sky.”
http://sandraheskaking.com/2015/03/one-word-less-for-lent-2015-8/
Alyse says
I used a line from Joseph Miller’s ‘Outside Monterey,’ found on my blog:
https://wordsnotmadewithlungs.wordpress.com/2015/04/04/ocean-whispering-poem/
L. L. Barkat says
that is beautiful, Alyse.
Alyse says
Thank you so much.
Donna says
I love the way it feels to say jelly-fish filled bay…. It feels like soft candy, if that makes sense.
Really nice.
So true.
Alyse says
Haha! It does feel like soft candy, now that you mention it.
Thank you.
Elizabeth W. Marshall says
From today’s @EDayPoems poem from Kim Addonizio’s — “Where Childhood Went”
http://www.elizabethwmarshall.com/2015/04/06/Inspired-by-feathers-fur-and-friends
Alyse says
Here’s one with a line from No Second Troy by Yeats:
https://wordsnotmadewithlungs.wordpress.com/2015/04/12/what-could-she-have-done-poem/
Donna Z Falcone says
Trying to walk that fine line between online schizophrenia and creating new spaces for new content… and so, you’re the first to see my new poetry home on my newish website.
My poem, Hint, uses the first line from Deep Noticing, by Brenda Hillman.
http://www.donnazfalcone.com/poetry/hint
L. L. Barkat says
Nice, Donna. I like the poem on the photo there too! 🙂
Donna Z Falcone says
Aw, thanks. 😀
Bethany says
Lovely, Donna.
Lexanne Leonard says
Used “give up the gravity” from Deep Noticing by Brenda Hillman.
http://leximagines.com/2015/04/13/gravity/
Lexanne Leonard says
I am trying to write a poem a day for NaPoWriMo. It is Day 14 and I have 14 poems under my belt.
Today I used the line – a holy goodbye – from the poem On Music by Rilke. Thank you for the inspiration.
http://leximagines.com/2015/04/14/consecrated-welcome/
Laura Brown says
Analogy
the worm, the hook, the reel
are to fishing
as squirm, the look, the feel
are to wishing
First line by Paul Willis, “Free Verse”
https://twitter.com/lauralynn_brown/status/590291084665749505
Laura Brown says
First line from Dana Levin’s poem “Sentences.”
Ship of Tools
Train of spoons,
speedboat of forks,
forklift of knives,
kayak of whisks,
wheelchair of tongs,
toboggan of ladles,
lifeboat of graters,
golf cart of corkscrews,
Conestoga of peelers,
paddlewheeler of mashers,
magic carpet of mortars,
motor home of pestles,
pedal boat of scoops,
school bus of spatulas,
spaceship of basters,
bathysphere of cleavers,
convertible of zesters,
Zamboni of timers.
http://www.lauralynnbrown.com/ship-of-tools/
Donna Z Falcone says
Is this what moving a kitchen feels like? 😉
Elizabeth Marshall says
From Maybe This Is, by Rachel Blum
For every year of us
There is a place holder
Space holder
Joining betrothed in holy we
There, in lieu of words
Holding quiet in the cracks of time
I end your sentences
You start mine
We fall into habitual solitude
Wearing out our words long ago
Stringing verbs of love in this economy
Giving up the worn out adverbs, a charitable act of my goodwill
Maybe this is where the conversation ends
You use your fingers and I my lips
Saving the spoken words for the last will and testament
Of love
Donna Z Falcone says
It was Robert Louis Stevenson’s third line that got me today and it landed in the middle of my poem – so it may not count for a first line, but I wanted to share it anyway. 🙂 Just because I kind of like it. Based on Over the Land is April
Over the Shoulder, Seeds Sprout
http://www.donnazfalcone.com/…/over-my-shoulder-seeds-sprout
L.L. Barkat says
Oh, gosh. You could use their line anywhere in your poem if it doesn’t serve well as a first line 🙂
Elizabeth W. Marshall says
From Malachai Black’s “Terce”
Exposed
I have known you as an opening
Always
Adept at determining degrees
Thin hair-line fracture in the marrow
Unwittingly hiding pain
Wide-open window frame
Shaken from last August’s violent storm
Half-way shut, like bivalves at the shore
Secrets steal away, hidden behind haunting squeaks
No more
Pried open, no so long ago
Slightly cracked
To air the aging secrets out
But now you have become unhinged
Void of open
Void of closed
No one can frame the space that you once held
Lock and key no longer needed
I now know you as
Exposed
michelle ortega says
Here’s my link: https://www.facebook.com/michelle.rinaldiortega/posts/929800410375291?pnref=story
And the poem, with a line taken from “On Music” by Rainer Maria Rilke.
“The Muse”
The ancient muse who comprehends
the unexpected ebb and flows
and language where all language ends
relieves the snow with spring’s amends
while keeping steady in repose.
That ancient muse does comprehend
the breath between two souls transcends
tornadic tangoed lovers’ throes
and language where all language ends.
More fragile than the mind intends
(while hide and seeking) to disclose
the ancient muse does comprehend
the cages made to self-defend
but gently coaxes out from those
in language where all language ends
a whispered, “yes.” The heart extends
a slow-unfolding gossamer rose
to the ancient muse who comprehends
the language where all language ends.
Alyse says
[The first line is from The Alien by Greg Delanty.]
of your ultrasound, scanning the dark,
she tells you that the red color means blood
and also that your uterus is backwards.
(she calls it ‘retroverted.’)
a stranger’s hand between your thighs,
and you think, this is familiar,
and also, what the hell does that mean?
no one is there to hold your hand,
and you slip on your panties as the nurse waits.
this explains so much, you tell yourself when you look it up later,
but what exactly does it explain?
why it hurts to be on top?
you can’t come up with anything else.
you wish all the prodding would result in better answers.
instead all you get are weirder questions.
Alyse says
Here’s another one, based on my experience as a foster parent.
[The first line is from My Sentence by Dana Levin.]
train of spoons,
a voyage across the carpet–
this life is imaginary
and all too real.
where do they come up with this stuff?
a pillow becomes a doghouse,
and then it’s a pair of hair clippers.
they don’t stay like this forever.
in fact they don’t stay at all.
a few weeks, a few months–
they come, and then they leave.
we start over:
the crying, the readjusting.
sometimes I think it’s too much.
I wish that train
would take me far away
and never return.
but then the moment comes
when she lays her head
on my leg, and I think,
this carpet isn’t so bad.
L. L. Barkat says
Enjoyed both of these today Alyse. Hard poems, but good reads.
Alyse says
Thank you.
Richard Maxson says
Last line (without breaking anything) from e.e. cummings’s “Spring Is Like A Perhaps Hand”
http://theimaginedjay.com/light-on-white/
Light on White
without breaking anything
the cat lands invisible,
at first, the window light
illuminating eyes
that seem stolen
from the green vase
on linen draped
over the table, round
like the morning sun.
Lexanne Leonard says
from The Robot Scientist’s Daughter by Jeannine Hall Gailey I grabbed the line “In her hands a piece of paper becomes a bird….”
http://leximagines.com/2015/05/05/crinkled-missives/
Alyse says
[The first line is from Spring Is Like A Perhaps Hand by e.e. cummings. This can also be found on my blog: wordsnotmadewithlungs.wordpress.com.]
people stare carefully
so as not to disturb.
they look with their
eyes so no harm is
done. they turn around
only when you’ve passed
to save you from knowing,
and then they whisper to
each other to save you
from hearing. you are
impervious, oblivious–
playing the part of the
deaf and blind. you look
straight ahead, at the
ground, away from them.
you hear nothing, see
nothing. people stare,
and you– you have
nothing to look at.
Lexanne Leonard says
Using Charles Bane Jr.’s My Old Soul line: He is a petal, I see inside his heart.
Fingertips
He is a petal, I see inside his heart.
He loves me, he loves me not.
I hold him up to the sun, trace veins
from tip to stern, watch blood flow,
and feel his pounding heart
between my fingertips.
I cannot love him more.
He loves me, he loves me not.
Richard Maxson says
From Jennifer K. Sweeney’s poem (6/03/15), “Beyond a Longing Lying Bluely.” Using her lines,
“The world conspires to make more
of itself with its not-much spark and sap.”
Blue Berry
How merely a cup of milk
and the morning’s last blue berry,
rising slick,
with wisps of white rolling round
over its sides,
lost in a dark thrown bowl
made firm by fire,
for a moment holds us all in its form.
The world conspires to make more
of itself with its not-much spark and sap.
Lexanne Leonard says
Still finding wonderful lines to start a poem of my own. This one is from Is That Your Body Blocking The Light by Bethany Rohde: Darkness you did not intend.
http://leximagines.com/2015/06/06/pitch/
Donna Z Falcone says
Eday Poems sent this today:
A Fly and a Flea in a Flue
A Fly and a Flea in a Flue
Were imprisoned, so what could they do?
Said the fly, “Let us flee!”
“Let us fly!” said the flea,
And they flew through a flaw in the flue.
— Anonymous, more Child Life: A Collection of Poems
And now… the rest of the story (or at least the next little bit…)
That Fly and that Flea from the Flue
Flew freely the happy day through
A home they did make
On the top of a cake
In a sugar dust rose built for two.
L. L. Barkat says
oh, very fun 🙂
Lexanne Leonard says
Our writing group met this morning on my deck among the flowers and bees and squirrels. We each chose at random an Every Day Poem and wrote. I am the only one who writes poetry, the others have their own genre and style. It was lovely and perfect and the writing incredible. Thank you for the inspiration.
My poem was Delphiniums In A Window Box by Dean Young, author of Fall Higher. I used the line:…because of you I’m talking to crickets, clouds….
Because Of You
Because of you I’m talking to crickets, clouds,
like a madwoman with thistles braided in her hair
a band of daisies round her waist, forget-me-nots
between her toes.
Because of you I laugh with lady beetles scurrying
on their way to drink a draught of nectar wine
in hopes of intoxicated stories shared.
Because of you I plant sweet peas to trace a lacy frame
girdling my womb and blue delphiniums to reach the sky
to become our lure to ladder up for us to disappear
into Arcadian azure.
Because of you I will go mad with lavender sprigs as
arrows to my heart, lemon balm to soothe my wounds,
and spearmint tea to bring the night of moonflowers
as our bed.
Because of you I am possessed by the marrow of creation.
Rick Maxson says
The Way Light Changes
—from a line in Burlington Arcade by Julian Stannard
They’re always going through
tunnels, those days
the winds rocked
the trees I scaled high
over the quilt of rooftops.
Weightless as a cloud,
in the blue of my eyes,
I lifted myself
into the world of wings.
That was the distance of a life
away. Now, my feet remind me
each morning that I am
no longer, even for a moment,
one of those birds few watched,
small and quick as a year.
I go there, nevertheless,
and maybe it is practice for a time
to come, the traffic of so many days
surrounding the way to the light
at the top of a tree, so much taller now,
so bright among the stars.
Rick Maxson says
In a Light Rain
— from Matthew Rohrer, “There Is Absolutely Nothing Lonelier”
In a light rain, I wonder
at the gray sky, releasing drop
by drop. Fearless of thunder,
in a light rain, I wonder,
do the deep droughts stop
gripping ground, give water up
for a light rain? I wonder
watching the lake’s light chop.
Rick Maxson says
Correction for this Triolet:
In a Light Rain
— from Matthew Rohrer, “There Is Absolutely Nothing Lonelier”
In a light rain, I wonder
at the gray sky, releasing drop
by drop. Fearless of thunder,
in a light rain, I wonder,
do the deep droughts under
gripping ground, give water up
for a light rain? I wonder
watching the lake’s light chop.
L. L. Barkat says
Thanks for all these submissions! Just an update: we are going to continue to accept submissions through National Poetry Month 2016 and then look to publish within 3-6 months after the April 30 closing date.
Christina Hubbard says
I love the poems in my inbox. And the challenge was just what I needed. Thanks!
Unshelled
Naively, I expected more from life,
The one I scratch here on blue lines.
Won’t words reincarnate me into a leopard,
An eagle, or butterfly?
Pens have power to change us,
Baptizing us black with ink.
I had hoped to roar, soar, or morph
From under the page corner, reborn.
I fear I am a turtle
After a run-in with a lawnmower’s blade.
Shell smashed, six months to heal.
The little toil of love, I thought,
Was large enough for me
Shrinks with each stroke.
The whole menagerie I imagined
Myself to be,
Crossed out,
A reptilian spine exposed.
The line: “The little toil of love, I thought
Was large enough for me”
From Emily Dickinson in “I Had No Time To Hate, Because”
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