Welcome to this month’s theme of Spanish Lace. Lace has been called “the poetry of fashion.” The book, The History of Lace (c. 1875) described Spanish Lace as “…so exquisite…that they were unmistakably the work of those whose time was not money…” Spanish lace was made with linen or delicate silk thread. Its traditional colors, either “blond” or black. Its patterns, a captivating tale drawing on both light and shadow.
For this month’s playlist, we’ve woven together a list of songs—from Spanish lace to lace in general, from the group Paper Lace to some great Spanish love songs. An intoxicating variety of tunes.
Poetry Prompt:
Listen along with us, embrace the apasionados (passionate) sounds, and let them inspire the handcraft of your words.
Write a poem inspired by lace— its patterns, colors, or textures. If you look closely, the intricate pattern of Spanish Lace has a story to tell.
Thanks to our participants in last week’s poetry prompt. We read a unique array of poems from our theme, Doors & Passageways: Dancers & Dreams. Here is a poem from Glynn that we very much enjoyed…
Dancers and Dreams
the dance becoming the dreams.
Photo by Evelyn Flint/Texture Time, Creative Commons license via Flickr. Post by Heather Eure.
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Sometimes we feature your poems in Every Day Poems, with your permission of course. Thanks for writing with us!
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Maureen Doallas says
Loose Thread
I hold the lace
pin to my neck
line, polished
steel shaft topped
by fiery-red head
of glass
You pull a loose thread
tell me tension at the edges
draws attention to effect
Heather Eure says
“…tension at the edges” I like that!
Sandra Heska King says
“fiery-red head”
Thinking on that…
Elizabeth W. Marshall says
Maureen, I am reading this three and four times. There is so very much in such a beautifully short poem. I hear such story telling here. Amazing.
Richard Maxson says
Talk about word play. This has it hands down.
Julie A. Olson says
I’m liking the feel of “tension at the edges.” Reminds me of how life can get.
Maureen Doallas says
Red Dust, Spanish Lace
The bull cannot resist
the lure of the muleta.
In his last act, the matador
makes a pass and turns
the dust red. Long after
the bull goes to ground
the senorita puts a hand
to her neck, withdraws
the steel shaft of the lace
pin securing her mantilla.
The veil at last dropped,
he kisses the only blemish
adorning her olive skin.
Elizabeth W. Marshall says
Beautiful. You have eyes to see so crisp and sharp, and you tell with such power. Inspiring, every single line.
Heather Eure says
Wonderful! (Dig the nod to Acoustic Academy)
Richard Maxson says
Beautifully written. So descriptive and I love the parallels.
Richard Maxson says
My European Education
Mother loved the Spanish gentleman,
his sapient ways, his voice that rolled
off the dark oils of Goya in Seville.
Altar to altar she followed him,
with her prayers and lace, her sacrifices,
broken from their lives like fruit from trees.
On the veranda she raised her demitasse:
to Granada, the Alhambra―her dream for us,
purged of the calloused and quotidian.
Along the esplanades she followed him,
gesturing to the ancient relief dropping tears
over the inspirited coins, its sanguine pool
quivering as she passed.
Maureen Doallas says
I like this poem a lot, Richard, both for its story and its images. The title is a very nice touch.
A fine play on words, too, in “the dark oils of Goya”.
Heather Eure says
“…she followed him with her prayers and lace, her sacrifices…” Thanks for sharing this, Richard.
Elizabeth W. Marshall says
I am crazy about the choice of this title also. Perfect. My favorite lines:
On the veranda she raised her demitasse….purged of the calloused and quotidian.
I think there are more poems to write and stories to tell from this.
Wonderful.
Richard Maxson says
Thanks, Maureen, Heather and Elizabeth. There are many stories and I’ve added one written with a risk.
Elizabeth W. Marshall says
A Recalling
Under the froth and foam
Below the liquid salty sea
Resting on the ocean floor
A sunken treasure
Buried, covered well beneath
Bears a template
For all man-sewn lace
Which
Makes its way
Into your
Bedroom
Parlor
Dining room
And finally
to the altar
In 1932.
I found a fanned flash bit of coral
Washed up by the sea
Resting
There in January’s cold brown sand
It made me think of you
And your wedding day.
It made me
Remember you.
The day you bathed yourself in lace.
A memory dragged up from the bottom.
Raised up from the dead.
Heather Eure says
I know that lacey coral well, Elizabeth.
Richard Maxson says
A beautiful memory and history expressed poetically.
Twirlingtoes says
White shells and miniscule drawings
Crafted out of thread.
The calm fingers that lift and drop, lift and drop the bobbins. Pin, pin, pin.
Sewn to a dress made all of white making delicate shapes on the whispering cloth that dragged. Looking like the day they would wed.
It is folded, still attatched, put away.
Now, needing to embellish a gown silver, black, gold and brown it came down. Off it’s throne of glorious day for another.
Died black to match the new.
Leaves fall, harvesting time comes and goes. Winters pass. Things and beings age.
Children beg to use the dainty threads for dolls clothes, bookmarks, and edging gloves.
Hardly a bit remains. Untouched since those former days.
Now, a crowd stands in black
Flowers abound. Tear laced eyes and quiet pitying sounds. “The lady has passed, too sad”
They all say. And as each dark figure makes their way to the adorned sad box at the front they peek in. To a see a glorious figure with a black chocker of lace.
Heather Eure says
Quite a story. The life of a swath of lace. Thanks for sharing your poem.
Richard Maxson says
I love how you relate this to the members of the family branching out. And yet something remains.
Elizabeth W. Marshall says
Fingers
Majorca was small in the rearview
Mirroring love
Your hands, wrinkled and worn
Years of casting your nets
And my heart
Wet with salt
Three blood oranges
Rolled around the
Faded red leather
Backseat of the ’52 Mercedes
Each one, the fruit of our
Labor
My womb
You laced your fingers in mine
And Barcelona’s church bells
Towering above
Me
Rang high noon
I knew your love
Pearl from grit
Small in the rear view mirror
Like Majorca
Heather Eure says
I love stories. Thanks, Elizabeth.
Richard Maxson says
The last stanza is perfect.
Richard Maxson says
…her lace
http://theimaginedjay.com/?p=697
Heather Eure says
The words move like quick-paced thought. Flashes of remembrance.
Jane Halasz says
A Puddle of Fine Merino
A puddle of fine merino grows in my lap
Grey, the color of morning fog, and as elusive
Spun smooth, bouncy, barely noticeable
Knit one yarn over
Knit one yarn over
Knit one yarn over
The rhythm dances at the edge
Knit two together yarn over
Knit two together
The simple beat repeats around
Lace grows
From a puddle waiting to a shadow cast on a winter afternoon
Heather Eure says
“from a puddle…” I can picture it. Thanks so much for sharing, Jane.
Elizabeth marshall says
Threadbare
I sat
Cross-legged
In repose
With eyes stone cold
Glaring in the
Direction
Of one worn curtain
Wearing a night gown
Filtering the seven thirty
Am sun
Made
Of tattered lace
Picasso shifts his
Awkward glance
In a sad self- portrait framed
Alternately looking
At the curtain
Then at me
Both of us wearing
Threadbare lace
And
Our faded memories of
Life in
Spain.
Sandra Heska King says
Slipping in late…
http://sandraheskaking.com/2014/02/poetry-prompt-lace/
Heather Eure says
I liked this! Certainly not late. So glad you shared, and in response to your blog post– this is exactly what we have in mind.
Donna says
it isn’t the lace
i treasure
but the nimble thimbled fingers
fulfilling a promise to complete
knot by knot
strand by strand
i hope you know i know
that tat was not easy
infused with hope
powered by graceful grit
it isn’t the lace
i treasure
it’s the cotton tangled love
(I feel compelled to write more~ to put the back story on my blog. What a stirring prompt. Thank you)
Donna says
http://thebrightersideblog.blogspot.com/2014/02/cotton-tangled-love.html
Heather Eure says
Very happy to stir you up, Donna! I really liked the surprise “…that tat was not easy”.
Read your blog post, OHHH, *that* kind of tat. Haha! Tatting! I had a Great Aunt Mae who used to create beautiful tie tatting. Such a lost art.
Julie A. Olson says
Thinking on Donna’s “Cotton tangled love.” I believe that’s what makes the world liveable.
Julie A. Olson says
Her Life as Woven Lace
It’s there woven by time on her face.
The intricate design
called life.
Each seam painstakingly stitched
as in a piece of artistic
hand-woven Spanish Lace.
The beauty in the piece she holds
has long lost precision
of edge.
Retrospection of life,
disentangled from emotion,
has worked loose
it’s intricate thread.
Recollections are all interlaced,
with those she loves
entwined.
Relationships unraveled, repaired.
Crisp edges are softened and blurred
by the Creator’s original design.
These textures of living are hers.
All the joys, laughter,
and tears.
Abrupt lines yield-
sway and twirl
The cogent angle of clarity now curves.
A life woven as intricate lace.
Julie A. Olson
https://www.blogger.com/blogger.g?blogID=2758946767821427057#editor/target=post;postID=1650331975288807161
Donna says
I really like this, Julie… Life woven as intricate lace… ahhhh so much better than the way I translate the lines that emerge…. MUCH better.
Julie A. Olson says
Visit my blog for an image of beautiful Spanish lace I found as an inspiration. Just lovely, wish I had it in my hands.
Julie A. Olson says
ooops!! I’m very new to all this linking stuff and I’m tripping over my own feet.
http://grandparentingwithgrace.blogspot.com/2014/02/grandparenting-with-grace-another-try.html
Heather Eure says
Thanks for sharing your poem and photograph. It certainly is an inspiring image! The detail is incredible. “These textures of living…”
Heather Eure says
Oh, and you can trip along with us daily. You’re in good company. 🙂
Donna says
I’m glad you kept trying! It’s really special!
Robbie Pruitt says
The Apprehensive Victorian
I hate lace
It has holes
Voids and space
Leaving me exposed
Vulnerable I suppose
See through and right to
This sheepish smirk on my face
© February 7, 2014, Robbie Pruitt
Julie A. Olson says
“Leaving me exposed
Vulnerable I suppose”
Exactly what writing does too. Nice.
Robbie Pruitt says
Indeed it does. . .
Thanks for commenting and appreciating!
M says
What a pleasant surprise to read your work here. And I too would avoid exposure. (M)
Robbie Pruitt says
M
Looking forward to reading your work on here. . .
Again, thanks for reading and appreciating poetry.
Robbie